Sabtu, 04 Juli 2020

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Book Details

Title: The Seep
Author: Chana Porter
Number of pages:
Publisher: Soho Press (January 21, 2020)
Language: English
ISBN: 1641290862
Rating: 3,8     17 reviews

Book Description

Review An ABA Indie Next Pick for February 2020Praise for The Seep“A unique alien invasion story that focuses on the human and the myriad ways we see and don’t see our own world. Mesmerizing.” —Jeff VanderMeer, award–winning author of Dead Astronauts and the Southern Reach trilogy “The standard canard is that utopian settings are boring, monolithic, didactic, and make for bad fiction. How lucky we are to have Chana Porter to blow such nonsense out of the water with this moving and beautiful book.” —China Miéville “The psychedelics are coming! The psychedelics are coming! What if becoming one with the universe was as easy as drinking punch at a party? It turns out that after enlightenment, we still squabble with our partners, worry about fashion choices, and drink too much booze. A great speculative work combining first contact tropes, techno-utopian fantasy, gender theory, and ayahuasca fan fiction, Chana Porter’s The Seep imagines a brave newer world by rewriting the question of the ancients: If all things return to the one, where does the one return to? Porter’s dazzling trick answer updates Zhaozhou’s: the bar.” —Eugene Lim, author of Dear Cyborgs “With its wonderfully fraught utopia, the likes of which you have never seen before, The Seep defies not only the recent glut of dystopias, but the long-accepted categories of fiction. An entire universe gets packed into a slim page-turner, in which the search for meaning carries on even after our greatest desires are met.” —Robert Repino, author of the War with No Name novels “In a time of dreary dystopias, Chana Porter’s The Seep is that rarest of books: a genuine utopian hope of salvation. While the novel accomplishes this through an alien intervention, its message is not simply one of blind optimism, but a complex portrait of people struggling with change, fear, and ultimately hope. Porter shows us that the end of the world is easy. The beginning of the world is the real challenge.”—Rachel Pollack, award-winning author of Godmother Night“Unlike anything you’ve ever read.”—Bustle“Speculative fiction rarely depicts alien invasions as benevolent, but Chana Porter’s delicious first novel does just that . . . The Seep is a glorious interrogation of human feelings and relationships and how they shape who we are.” —Amy Brady, Literary Hub “Absorbing.” Ms. Magazine “One that you need to add to your TBR . . . A reflection on grief and moving on, what it’s like to be alien, and what it’s like to be alienated . . . An interesting meditation on othering, love, loss, and grief.” —Book Riot “Porter’s gripping, subtly hopeful work of literary speculative fiction is shaped by remarkable world-building elements and acute observation of human frailties and impetus.” Booklist, Starred Review  “In Porter’s surreal, introspective debut, a benevolent alien invasion leads humanity into a utopia, exploring themes of grief and discontentment within a seemingly perfect world . . . Readers will delight in the eerie disquietude and optimism of this well-calibrated what-if.” Publishers Weekly, Starred Review “An intoxicating takeover narrative, its promises as appealing on their surfaces as they are frightening in their implications . . . The Seep is a daring paean to human vulnerability and a bold speculative inquest into what makes life worth living.” —Foreword Reviews, Starred Review“This surreal debut takes on themes of utopia, identity, love, and loss, while readers are pulled into a full experience through Porter’s fluid prose. This unusual story will linger long past the last page.” Library Journal, Starred Review “Porter’s surreal novel puts a new spin on alien invasion.”—Kirkus Reviews“Reminiscent of Sheri S. Tepper and Ursula K. Le Guin, especially with the themes of female empowerment, LGBT+ identity, and explorations of what it really means to be human as explored from the lens of an entity that is not . . . What could have been dark is lightened by some humor and a surrealistic, fantasy-like environment that swirls around you like a Dali painting.”—Readasaurus Reviews“This is an entirely surreal reading experience that explores identity—queer and racial, self and inherited—in an organic and necessary manner. A must-read for everyone.” —Avery Peregrine, Third Place Books (Lake Forest Park, WA)“I honestly don’t know how to review this book. Any attempts I would make to describe it, and the post-existential questions it poses, would not do it any justice. If you like political science fiction, or just weird stories, pick up this book. It reads incredibly quickly, and keeps a hold of your thoughts long after you put it down.”—Left Bank Books (St. Louis, MO)“A unique take on an alien invasion. The Seep makes everything better, but does it? The Seep helps you see the inner-connectivity of all life, but at what cost? What happens to your individuality and free will in a world where there is no conflict? A great book about how we define ourselves and our humanity.”—James Wilson, Octavia Books (New Orleans, LA)“What I love most about The Seep is that it’s two parts questions to one part answers. It does a great job of clearing up certain gray areas, and it actually gives some answers to the hard questions it asks—but it also leaves area for speculation and thought. The Seep will leave you begging for more, and I can’t wait to see what Chana Porter whips up next.”—Lizy Coale, Copperfish Books (Punta Gorda, FL) Read more About the Author Chana Porter is a playwright, teacher, MacDowell Colony fellow, and co-founder of the Octavia Project, a STEM and fiction-writing program for girls and gender non-conforming youth from underserved communities. She lives in Brooklyn, New York, and is currently at work on her next novel. Read more Excerpt. © Reprinted by permission. All rights reserved. Tips for Throwing a Dinner Party at the End of the World   Relax. People may think they want to indulge, get too drunk, incapacitate themselves with weed, but really they just want to appreciate this fragile moment while the outside world falls down. Your party should facilitate this easeful enjoyment, not lead loved ones to panic through overconsumption. Be present. And remember, you don’t know what’s happening in the morning, so while an orgy might very well be the perfect thing, you don’t want to spend your last night on Earth trying to cajole your friends into a particular kind of revelry. Be present. Clean your apartment until it sparkles. Shower, of course, and anoint your body with fragrant oils, but then wear your most beloved sweatpants. Make a wide selection of delicious food, high in protein, complex carbohydrates, and healthy fats. Serve wine but also a lovely selection of herbal teas. Juice spritzers, in fancy goblets, will allow your guests to hydrate while feeling opulent. Remember, if someone starts crying, don’t try to shut them down or change the subject. Be present. Eventually, the conversation will flow to other things—typically, to The Past and How Great It Was, Even Though We Didn’t Know It at the Time, and The Future, that shimmering, mercurial beast, constantly breaking our hearts.  PART ONE THE SOFTEST INVASION   1. When the aliens first made contact, Trina and her not-yet-wife, Deeba, threw one of their famous dinner parties for a select group of friends. It wasn’t difficult to keep the guest list small. Everyone was too nervous to travel far, the subways and buses deserted but for the most intrepid or desperate travelers. They invited two beloved couples who happened to live close by, and who wondrously had never met. Emma and Mariam came first, with two types of hard cheeses, three types of olives, gluten-free rice crackers, tubs of spicy hummus. Emma was French and Mariam was from Cairo, so they both really knew how to put together a cheese plate. Their little party was completed by Katharine and Laura, the friendly, easygoing lesbians from Tennessee. They came with copious amounts of alcohol (one can always depend on the lapsed Christians to bring the bar): pale ale for the butches, and drinkable red wine. Introductions were made, drinks were poured, cheese and olives exclaimed over. After a half hour of breezy conversation, Deeba brought out a tureen of her famous fish stew, finished with black pepper and a squeeze of lime. Trina passed around homemade loaves of bread, her one party trick. It was so easy to make, and yet everyone thought she was a magician for adding yeast to water to flour and waiting. The women sopped fragrant soup with crusty bread. A generous feeling swirled around them like a melody, like a scent. The essence of a perfect dinner party. How have we never met before? they asked again and again, but what they were really saying was, How have I only just begun to love you?      Throwing a dinner party was all Trina and Deeba could think to do. They had already filled the bathtub with clean water and made sure all of their flashlights had new batteries. They kept checking their most reliable sources on Twitter, as well as Al Jazeera, The New York Times, The Guardian. Every source said to keep calm, try not to panic, and to stop it with these suicide pacts. Unbelievable, the newscasters kept saying, it’s unbelievable. That word had been ringing in Trina’s head all day. But what was believable about this world, about her government, about what they were doing to the planet and each other? Furthermore, what did Trina believe in with total certainty? That the sun rose in the morning? That the sky was blue? These aliens could say that the cosmos was being carried on the back of a great platypus and she’d have to believe them. What was more mutable than her own perceptions? Katharine raised her wineglass. Her toast became the answer to Trina’s unspoken questions. At the time, Trina thought this was a coincidence.      Katharine spoke warmly, as if she were telling a long joke. “Lately,” she said, “I’ve felt as if I’ve been living in the wrong timeline. I’ve become numb, like I’m watching my own life as a movie, that is, when I’m not filled with rage or tremendous grief or crippling depression.”      Deeba hooted and cheered. Emma’s brown eyes twinkled in the candlelight. “Every day, I wake up embarrassed by my country and what we’ve become—”       “Ugh,” groaned Mariam. She took on the tone of a newscaster. “Now, more than ever . . . In these trying times . . .” Trina laughed and slapped the table.       “Let her finish!” chided Deeba.      Katharine cleared her throat. “As I was saying! I’m embarrassed by what we’ve become, and by what we always have been and have never addressed.”       “Hear, hear,” said Emma, raising her glass.       “But tonight,” Katharine continued. “Looking at your beautiful faces, I can finally, safely say that I have no idea what’s coming! I don’t know if this is the end of life as we know it, or the beginning of a grand adventure, or perhaps both. All I have is my uncertainty. And really, that’s all I’ve ever had. Everything else was a lie.” She took a long swallow from her glass. “So cheers, babes. To tonight.” The women clapped and toasted, whistling. Katharine took a half bow and sat down. Laura slung an arm around her wife and grinned. Trina looked across the table at Deeba’s round, brown face. Her cheeks were warm with wine, as pink as the inside of a rose. I know that I love you, thought Trina. And that’s enough for me. From across the table, Deeba winked.     After dinner, the women lounged on the floor and got a bit stoned. And then someone decided it would be fun to take a bath. They would soon realize that The Seep had already infiltrated their city’s water supply. They were already compromised, already bodily hosts to their new alien friends. It was through that connection they could hear one another’s thoughts, feel the same emotions, overlaid with the all-consuming adage that Everything Will Be All Right, No Matter What. The softest invasion had begun. Read more

Customers Review:

I started this book over breakfast and finished it over dinner. The first half had me thinking all day about what I would do with the capacity for limitless change and the second half touched me as a meditation on loss and what it means to be human. Trina’s queerness is an integral part of the character but not the whole story, there are layers of exploration in an alien-infused dreamscape. It’s speculative fiction where the “what if” of alien occupation takes a kinder, gentler but all-consuming turn. The hardcover edition is gorgeous and totally worth it.
I loved this book. I loved the examination of change, of grief, of individuality and what makes us human. I loved the quality of the writing and the way the author can turn a phrase.
You don’t need to be a fan of science fiction to love this book, this world and these characters. I devoured it!
There are people that will love this novel, but I wasn’t one of them. Three stars for being readable, and for the fact the author put a trans, mature woman at the front and center of the story without fanfare.The main issue I had with this book is that it’s ridiculous. Not the concept, because that was very clever, but the way the concept is executed. Aliens have invaded the earth (my kind of plotline!) and they infiltrate humanity by adding chemicals to the waterstream that change our personalities and the chemical structures that make up our bodies and the rest of the organic materials of the earth. Suddenly, earth is peaceful, blissful, all things are possible… but instead of the earth becoming a utopia, it becomes a bacchanalian love fest where everyone is just part of a seething mass of modified bodies writhing together towards some hazy idea of what is good. That’s where the author lost me- the more absurd a story is, the more it requires very sharp writing. It requires some space in the book where the reader can enter and anchor themselves. That is never provided.This book felt like a short story that was pulled out for a hundred pages longer than necessary. I read it in one sitting (it’s more of a novella) and after I finished, I just thought “well… there’s *that*.” The book is too fanciful, too indulgent, too meandering, especially since the heart of the story is a woman trying to find her own self in the midst of a world turned upside down. Every peripheral character is a passing blur of cliche with no real attributes, and while I suppose that’s what humanity has become under the influence of “The Seep”, *i”m* still in regular old reality, so a half bear/half human waitress passing through the story just makes me confused, not intrigued.This reminded me a lot of the FX show “Legion”- I can totally see it being made into a limited, trippy series on streaming media services. It has potential, but it didn’t rise to it, at least not for me.
The Seep is a wonderfully weird book that presents us with a future mere decades from now where “the softest invasion” has already taken place. In this post-Seep world, there is no scarcity, no illness, no war. The story follows Trina, alone in the world after her wife chooses to change form with the power of The Seep- leaving Trina in the home they used to share to be reborn. The story follows Trina years later, still grieving the loss of her wife. This is not an action-packed tale, but an existential journey for Trina as she treks halfway across the country seeking revenge, chasing a stranger she hopes to protect, and occasionally talking to a pamphlet that The Seep speaks through. Yeah, like I said, weird and wonderful. I also loved the whole setup for this world and a lot of the ideas that it introduces. The majority of the book is set 20 years after an amorphous alien species called The Seep first entered our water system. Once they infiltrated or bodies, they showed us that they just want to help us be happy, and that we are all connected- to each other, to the Earth and the animals and plants- and that violence and capitalism are silly.
“People need to give each other space to make choices. We can’t live solely for other people. Even if it hurts them. Even when it breaks your heart.”I really enjoyed THE SEEP a lot! In some ways, it reminds me of a more sophisticated version of Stephenie Meyer’s book, THE HOST. Set first in San Francisco, THE SEEP is about a “soft” alien invasion in which aliens, I guess in liquid form, infect the water supply and other host bodies via secretions, giving them a drug-like high but also allowing their hosts the ability to modify their bodies. Humans can turn into animals, or give themselves animal-like qualities like horns and scales and wings; they can become other genders or ethnicities; and they can even take on the very faces of people they know and admire.The heroine, Trina, is a middle-aged Native American transgender woman, and since identity is so focal to her experience, especially as someone who is in three marginalized groups, she is horrified by what she sees as a tremendously insensitive act of mass appropriation. Identity, she points out to someone (and I’m paraphrasing here), shouldn’t be something that can be taken on and off like a pair of socks. But of course, this isn’t something that the aliens can really understand with their hive-mind and laughably new age-like hippie mentality.When Trina’s partner buys into the Seep’s philosophy of renewal and decides to turn herself into a baby, Trina effectively becomes a widow, and ends up turning to alcohol in her sorrow… until she sees a young boy who is untouched by the Seep and ends up thinking of a person she knew when the invasion first began– someone else who bought into the system and is using it for his own illicit gains. And that’s where the story, and Trina’s quest, really kicks off.THE SEEP is a slow-moving work of speculative fiction reminiscent of Sheri S. Tepper and Ursula K. Le Guin, especially with the themes of female empowerment, LGBT+ identity, and explorations of what it really means to be human as explored from the lens of an entity that is not. The book is very short but it doesn’t feel short– and the writing is gorgeous. It’s great to see a science-fiction work that features an older woman of color who is LGBT+, as a lot of popular science-fiction books tend to feature younger, heterosexual white heroes and heroines as their leads. There are so many great themes explored in this work and it feels very literary. What could have been dark is lightened by some humor and a surrealistic, fantasy-like environment that swirls around you like a Dali painting.I would read more by this author in a heartbeat– and by the way, big ups to whomever designed that cover because it’s gorgeous. I love the flowers.Thanks to the publisher for sending me a copy in exchange for an honest review!4 out of 5 stars