Book Details Title: Troublemakers: Chicago Freedom Struggles through the Lens of Art Shay | |
Book DescriptionReview “In a fascinating new book, Troublemakers, historian Erik Gellman marries 250 of Shay’s revealing photos—the vast majority of which were previously unpublished—to his own lively, clear-eyed text in a way that upends our understanding of how the struggles for peace, racial parity, and fair labor practices shaped the Chicago we see today.”, Chicago Tribune“Why do we know Shay’s photographs but not the photographer? Well, thanks to Gellman, Troublemakers formally introduces us to the man and his lifelong mission to sidestep the polite halls of governance and focus his lens on the back rooms, honky-tonks, picket lines, and storefronts where democracy was made in the streets. Shay’s powerful photos pierce through pen and paper to populate the propulsive momentum of the Great Migration, to animate the varied geography of residential racism from Trumbull Park to suburban Deerfield. They put a face on the incessant brutality of the city’s notorious machine party system alongside the defiant dignity of labor organizers, freedom marchers, and yippies alike. In the process, the images here paired with Gellman’s cogent historical analysis offer us not snapshots but a critical framing of those Gellman aptly terms troublemakers as they fought for freedom dreams deferred but also designed within the concrete, steel, and flesh fabric of postwar urban America.” — Davarian L. Baldwin, author of Chicago’s New Negroes: Modernity, the Great Migration, and Black Urban Life“Troublemakers is both a visual and a written portrait of the Windy City that resonates with voices like Nelson Algren, Mahalia Jackson, Carl Sandberg, Studs Terkel, and Muddy Waters. Gellman explores freedom struggles by labor, civil rights, peace, and Black Panther activists in Chicago from 1948 to 1969. By balancing his eloquent narrative with the powerful photographs of Shay, Gellman dramatically animates Chicago history. Troublemakers is a radical work that reveals how history and photography can be equal partners, and our understanding of Chicago is the richer for it.” — William Ferris, editor of Voices of Mississippi“Shay’s stunning photos and Gellman’s historical narrative pack a one-two punch. In this glorious portrayal of Chicago as a city that gives as well as it takes. This is about a city and a people who under great duress refuse to fold. What an exhilarating lens through which to view one city’s struggle for justice.” — Alex Kotlowitz, author of An American Summer: Love and Death in Chicago Read more About the Author Erik S. Gellman is associate professor of history at the University of North Carolina at Chapel Hill, where he focuses on working-class and urban life, visual culture, and comparative social movements in modern America. His other books include Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights and, coauthored with Jarod Roll, The Gospel of the Working Class: Labor’s Southern Prophets in New Deal America.Art Shay (1922–2018) was a prolific photographer who captured many critical moments in Chicago’s postwar urban history. Read more Customers Review: A fast paced , well balanced history of racial conflict, integration and politics in mid- century Chicago. The points in the book are exemplified by the emotionally wrenching, and incisive photographs of Art Shay. The events in Chicago mirror those of our country at the time. This is a book that both entertains and educates – and the themes of social justice are still relevant today. The photos themselves reflect how far ahead of his time Art Shay truly was.
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