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Book Details

Title: Cleanness
Author: Garth Greenwell
Number of pages:
Publisher: Farrar, Straus and Giroux (January 14, 2020)
Language: English
ISBN: 0374124582
Rating: 4,2     25 reviews

Book Description

Review Advance Praise for CleannessNamed a Most Anticipated Book of 2020 by The New York Times, The Guardian, The Washington Post, The Wall Street Journal, Esquire, Entertainment Weekly, Oprah Magazine, Salon, Vulture, Vol. 1 Brooklyn, The AV Club, InsideHook, The Chicago Review of Books, and The Rumpus“Incandescent … [Greenwell’s] writing about sex is altogether scorching. You pick his novels up with asbestos mitts, and set them down upon trivets to protect your table from heat damage …Greenwell has an uncanny gift, one that comes along rarely.” ―Dwight Garner, The New York Times Book Review“Extraordinary … The overall effect is even more impressive than [What Belongs to You] … The range in these stories is part of their triumph and part of what makes their existential sorrow so profound … Incomparably bittersweet … Brilliant.”―Ron Charles, The Washington Post“Exquisite … Greenwell displays a precocious ability to take readers into his narrator’s mind and body … Greenwell submerges readers in the bedroom, sharing his protagonist’s intense attractions and doubts … Greenwell’s prose sings, even as much of the music occurs in the rests. This writer understands beauty and loss, sorrow and hope, his fluid writing making the telling seem effortless.” ―Martha Ann Toll, NPR Books“[Cleanness] is, quite simply, a work of genius that will change the way you understand the world and your place in it.” Bethanne Patrick, The Washington Post“Gorgeous.” ―Leah Greenblatt, Entertainment Weekly“In much the way that other male American writers, such as Hemingway, Baldwin and Edmund White, have chosen Paris as the place in which their lone protagonist can be tested and changed, Greenwell uses Sofia, the capital of Bulgaria, as his cauldron … [He] displays an extraordinary skill at handling time … [The titular story is] an exquisite piece of writing.” ―Colm Toibin, The New York Times Book Review“An electrifying portrait of sex’s power to lacerate and liberate, to make and unmake our deepest selves … [Greenwell] melds an incantatory cadence with the catechistic language of porn, which is ridiculous until you’re ‘lit up with a longing that makes it the most beautiful language in the world.’ … Intimately powerful.” Julian Lucas, Harper’s“Absolutely spellbinding . . . Exquisite in its handling of what for many readers will be taboo territory.”―Michael Upchurch, The Boston Globe“It’s difficult to explain just how much depth there is to Greenwell’s writing; suffice it to say there are things he accomplishes, emotional destinations he reaches in the course of a sentence that many other writers can’t get to over the course of a whole novel.”Omar El Akkad, The Millions“Greenwell’s writing―long, dense sentences that often seem to act as heat-seeking missiles―seems married perfectly to the form of this book, where the usual narrative stitching of a novel is done away with. What we are left with are precise evocations of emotion and heat (and what heat! There is so much heat in this book it is sometimes difficult to hold). [Cleanness] thrums with life; it invites readers to a state of higher intensity, such that as you move through it you begin to feel an awareness of and an awe at the possibility that life could actually be lived that way.” Nellie Hermann, Los Angeles Times“The narrator’s quest for self-knowledge seems to intensify in moments of intimacy, and Greenwell’s erotic prose is notably explicit and lucid, shorn of decorous metaphor … It is commonplace to think of sex―especially the anonymous, boundary-testing, sometimes unsafe sex that the protagonist seeks out―as a release from the prison of self. For Greenwell, though, sex is never a means to blot out thought but instead an opportunity for heightened awareness.”―Dennis Lim, BookForum “Stunning . . . Greenwell’s fearless, introspective stories probe the private regions of a gay man’s heart, whose unstable ground, rocked by seismic passions and deeply buried rage, is as likely to split open as to flower.” ―Steven Tagle, them. “Greenwell’s writing on language, desire, and sex in all their complex choreography vibrates with intensity, reading like brainwaves and heartbeats as much as words. Concerned with intimacy, its performance, and the inevitability of becoming and being oneself, this is in every way an enriching, deepening follow-up.”Booklist (Starred) “The narrator [of Cleanness] pushes more sexual boundaries this time, and Greenwell admirably pushes them too by depicting those desires with an unflinching frankness. Sadomasochism, unprotected sex, the narrator’s voyeuristic attraction to one of his students: They are all elements of the story, portrayed in Greenwell’s precise, elegant style . . . Brave and beautiful.”Kirkus Review (Starred) “A young American teacher’s reckonings with intimacy and alienation compose the through line of Greenwell’s elegant and melancholy volume . . . Greenwell writes about sex as a mercurial series of emotional states and is lyrical and precise in his descriptions of desires and motivations he suggests are not subject to control or understanding. This is a piercingly observant and meticulously reflective narrative.”Publishers Weekly“Melancholy and lyrical, this slim volume confirms that Greenwell is among our finest writers on sex and desire.” Esquire (Most Anticipated) “Few writers capture the dirt and shine of desire, how love and lust can brutalize and soothe, like Greenwell, the author of 2016’s game-changing What Belongs to You. Here, in this frequently breathtaking novel-in-stories, he follows a nameless American narrator walking among the shadows of Bulgaria’s underground gay scene in search of ‘the key to the latch of the self.’”―Michelle Hart, O: The Oprah magazine online (Most Anticipated) “If you read gay literary phenom Greenwell’s last novel, What Belongs to You, think of this as a sequel that doesn’t let chronology worry it…Look forward to more of the exquisite, high-wire sex writing that has earned Greenwell his reputation.”―Hillary Kelly, Vulture (Most Anticipated)“A tale of tumultuous romances, [Cleanness] is explicitly―almost incandescently―erotic. In scenes containing both tenderness and violence, Greenwell showcases his powers as a taxonomist of touch.” ―Cornelia Channing, Paris Review (Staff Pick) “Cleanness is a sublime book, transcending not only autofiction or LGBTQ writing, but the very barrier between stories and novel, fiction and non-fiction.” Ian J. Battaglia, The Chicago Review of Books“The intense elegance of Garth Greenwell’s prose―even when he’s describing rough sex or embarrassing passes or drunkenness―always startles me. It’s insane that anyone should be this good at writing, that anyone should be able to stir up the emotions of strangers so quickly, so deftly.” ―Emily Temple, LitHub“[Cleanness] hones in on queer desire, shame, and trauma. Greenwell’s prose is lyrically brutal and filled with anger, regret, disappointment, and, mostly importantly, eros. Greenwell is a master at writing about longing, but is also expert at navigating emotionally fraught sex scenes that can quickly descend into scenes of detachment, alienation, and violence; Cleanness is devastating.”―Josh Vigil, Full Stop Searingly immediate and authentic … The theme beneath the flesh is powerful and subtle: a quest for the kind of intimacy which, rather than confirming a lover’s identity, upends it.” — The Economist“Cleanness exposes readers to love & sex in all of its messy iterations, & it does so with a deftness of language that makes Greenwell one of the most accomplished writers of our era.”―Jarrett Neal, The Chicago Review of Books“In this magnificently controlled book, Greenwell places himself in a queer canon that is at some remove from the queer men coming of age more recently … It is deeply radical to reclaim the “filthy” spaces of queer longing, to find, again, the guilt or the complicity in the violence enacted by one queer man on another, all things that feel more and more excised from queer writing … Somehow, Cleanness avoids all that.” –Kamil Ahsan, AV Club“Like the work of Jean Genet before him, Greenwell transforms individual appetites into expressions of unlikely commonality. His fictions depict moments of epiphanic desperation―shame, pleasure, remorse, and ecstasy―in which the mysteries of spirit and flesh are rendered briefly legible … There are also moments of almost unbearable gentleness in Cleanness, sentences that feel like pressing on soft tissue.” –Dustin Illingworth, The Baffler“I was grateful for this book, as if it had been written for me alone … Greenwell writes about moments of nuance with unrelenting precision, seeking not to flatten them but to fan them out into an array displaying their every possible shade. His structure reflects that gentle exploration: the sentences revise and layer over themselves, and the sections of the book, each of which could stand alone as its own story, seem to inhale and exhale into one another, as if in waves, drawing the water and sending it out again against the shore.” –Nadja Spiegelman, Paris Review (Staff Pick) “Beautifully written … Harrowing and mesmerizing … This is an extraordinary, disturbing, visceral novel that seduces as much as it scalds.” –Sam Coale, Providence Journal“Filled with stunning poetic prose alongside spare, cutting exposition … Gorgeous, achingly earnest and sincere … Cleanness is a novel about desire. A novel about love. About being human.” –Laura Calaway, The Literary Review“If art has any political value it comes when it is chewed, digested, reacted to … Greenwell does precisely this in Cleanness … His prose inhabits and describes spaces of unbounded connection, on the streets and in the sheets.” –Ben Miller, LitHub“Beautiful and moving … Greenwell, in his writing, conveys a palpable sense of unconstrained emotion and passion.” ―Bill Burton, The Provincetown Independent“I don’t know how Garth Greenwell writes such delicate, profane fiction. These stories are grace and salt, tenderness and shadow. Reading this book made me want to sit with my emotions and desires; it made me want to be a better writer.”―Carmen Maria Machado, author of Her Body and Other Parties“Garth Greenwell writes with remarkable power, vulnerability and an operatic beauty. Such is the compelling journey of the characters of this book that we come to a new understanding of the body, loneliness, risk, desire and even anguish, but also a tenderness, a hard-won grace that can and does transform. What he leaves us with is an absolute truth―love is what drives us all towards light, towards any kind of redemption, but we must earn it, we must give all to it.”―Chris Abani, author of The Secret History of Las Vegas“An unbearably wonderful, eloquently sexual, thoughtful, emotional, delight of a novel―Garth Greenwell writes like no one else.”―Eimear McBride, author of A Girl Is a Half-formed Thing“Garth Greenwell, whose first book is a masterpiece, amazingly has written a second book that is also a masterpiece. The great enterprise that Joyce and Lawrence began―to write with utter literal candor about sex, grounding one’s moral life and philosophical insight in what that candor reveals about us―finds fulfillment, a late apotheosis, in Greenwell’s work. Cleanness is the act of a master.”―Frank Bidart, author of Half-light: Collected Poems 1965-2016“In Cleanness, I found an end to a loneliness I didn’t know―until now―how to describe. Greenwell maps the worlds our language walls off―sex, love, shame and friendship, the foreign and the familiar―and finds the sublime. There are visceral shocks like I’ve never encountered in print, and they delighted me, again and again. With each plunge we take beneath the surface of life, lost and new worlds appear. This could only be the work of a master.”―Alexander Chee, author of How to Write an Autobiographical Novel“Garth Greenwell is an intensely beautiful and gorgeous writer. I can think of no contemporary author who brings as much reality and honesty to the description of sex―locating in it the sublime, as well as our deepest degradation, sweetness, confusion, and rage. Most American literature seems neutered by comparison. His perfect noticing extends to the way we experience love and loneliness, the feeling of exile, and the eternal search for home.”―Sheila Heti, author of Motherhood“Cleanness is an impressive book: moving, radical, both beautiful and violent, unexpected. Garth Greenwell is a major writer, and his writing provides us tools to affirm ourselves, to exist― to fight.” ―Édouard Louis, author of The End of Eddy Read more About the Author Garth Greenwell is the author of What Belongs to You, which won the British Book Award for Debut of the Year, was long-listed for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award and the Los Angeles Times Book Prize. A New York Times Book Review Editors’ Choice, it was named a Best Book of 2016 by more than fifty publications in nine countries, and is being translated into a dozen languages. Greenwell’s fiction has appeared in The New Yorker, The Paris Review, A Public Space, and VICE, and he has written criticism for The New Yorker, the London Review of Books, and New York Times Book Review, among other publications. He lives in Iowa City. Read more

Customers Review:

What an amazingly beautiful, sad and funny novel. Reading it is like experiencing another way to live. Greenwell’s first novel was a marvel, but this book goes beyond that book’s stunning achievement and places Greenwell as the wisest, most probing and most beautiful sentence writer of his generation.
This is why I read. I’ve realized in recent months, after years of reading, that plot driven books usually are less vivid and even less moving than their on screen treatments, despite the adage that the “book is better than the movie”. I only competed the first chapter of Cleanness and I can put this book in the camp of Bellow, or perhaps more recently Karl Ove Knaussgard or maybe Bolano. This Chapter describes a student who solicits his teacher to lunch, where he tells the teacher the story of his group of friends and a boy he secretly loves, and how that boy hooks up with one of the girls in the group. That’s basically all we learn in the chapter and yet, it’s a captivating reading experience. The structure and language… THIS is why we read! And Garth, I am not gay but if you live in NYC, I would love to meet you. @goodortho on Instagram. Goodortho.com website.
This is a stand alone story, though it features the same protagonist as Greenwell’s debut. Cleanness deepens the narrative of an American professor living in Sofia, Bulgaria through a series of non-linear short stories that provide a fuller, more complete depiction of the narrator’s consciousness. It’s the sort of book one doesn’t really need to finish, since each story stands alone. My favorite story was the first, when the professor tries to advise one of his students how to live and love openly in a country that doesn’t accept homosexuality. I also really enjoyed the second section of the book, which explores whether love is enough to redeem a damaged person from despair. I think it’s important to convey that while this book is lovely to read for its thoughtful rendering of emotions and it’s nuanced depiction of character, it is ultimately quite bleak. I felt quite sad reading it, especially when the story explored sexuality. Some may even find it disturbing. The setting – Bulgaria – adds to the story’s morose mood, and one can’t help but hope that life in the post-Soviet country isn’t quite as melancholy as Greenwell depicts it to be.
A skillfully written connected short story collection, mostly in narrative form, that chronicles the life of an American English teacher living in contemporary Bulgaria. He resides two lives apart from where he is geographically; he is outside the local culture and society as a non-Bulgarian and he is gay in an illiberal and generally intolerant social environment.This leads to some wonderfully rewarding moments where friends and students dump their innermost thoughts and feelings in his lap as a “safe” confidant. But it also inflicts him with painful frustration when he cannot respond with total honesty of feeling because he is a often in teacher/student situations; and, he is a gay man who cannot risk the same kind of honesty and expose himself to rejection and loss of friendship.His only moments of truth are with online pickups that mostly involve dark fantasies without room for honest and affectionate interaction. His one real personal connection is transitory, with no future for an open gay relationship in the very conservative country.A reader can only reasonably conclude at the end of the book that the narrator should flee the hell he is in and find a place to live that truly fits his aspirations for an unconfined life.
It’s a cliche now that the author writes beautiful sentences. But he does.It’s kind of a story collection, more than a novel, and my fave one was of the lovers’s trip from Bologna to Venice. There’s an amazing description of a gay dinner date, too. I’ve never read better.
First of all he is a gifted writer and his stream of consciousness in unparalleled. Why he felt the need to include the most disgusting, demeaning and violence details of perhaps his own experience or more twisted fantasies of Gay life is a mystery. He could probably write any story exceedingly well without the sordidness he gratuitously threw in. Greenwell included an appalling and abhorrent view of homosexuality that does a disservice to that orientation.
with scenes of gay sex which some readers might need to jump past, what it means to be away from a country, housed in another country, able to speak, and to think, in more than one language, while, as a teacher, a writer, searching for words which describe who you are, who you could be, who you have been, and who you might become, there, or somewhere else.
At times this book is brutal tinged often with tender honesty, built upon a comradrie of quilt and comfort – necessary ingredients for self acceptance. Bravo!